The Great American Bash (2000) took place on June 11, 2000 at the Baltimore Arena in Baltimore, Maryland. The main event was Jeff Jarrett defending the WCW World Heavyweight Championship against Kevin Nash with Ernest Miller as the special guest enforcer. Also on the card was Sting vs Vampiro in a Human Torch match, Ric Flair vs David Flair, Hollywood Hogan vs Billy Kidman, Rick Steiner & Tank Abbott vs Scott Steiner in a Handicap Asylum match, Shane Douglas vs The Wall in a Best of 5 Tables match, Shawn Stasiak vs GI Bro in a Boot Camp match, Mike Awesome vs DDP in an Ambulance match, KroniK vs The Mamalukes, and Lt. Loco defending the WCW Cruiserweight Championship against Disqo. Some of the matches from this event was used as a green screen stock footage for a 'Newsflash' segment on Whose Line Is It Anyway?.

In 1973 the American Film Institute initiated its Life Achievement Award, to be presented to a yearly recipient whose talent has fundamentally advanced the film art; whose accomplishments have been acknowledged by scholars, critics, professional peers and the general public; and whose work has stood the test of time.

In 1973 the American Film Institute initiated its Life Achievement Award, to be presented to a yearly recipient whose talent has fundamentally advanced the film art; whose accomplishments have been acknowledged by scholars, critics, professional peers and the general public; and whose work has stood the test of time.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

A 10-year-old girl with high functioning autism is cast into a major film. While on set, the director falls in love with her.

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Novice writers from a writers workshop wrote the show's sketches.

Frontline examines the candidates in the 2000 presidential election.